Part 22: 9:25-11:43: Dark Pinball Secrets
Chapter 22: 9:25-11:43: Dark Pinball SecretsContent warning: mentions of rape
ARIST: [Medium: Success] Time to focus up and interrogate those Hardies about this inconsistOoooh, whats behind that mysterious door?
BARRED DOOR: Its barred from the inside. You hear the bar rattle in the brackets.
KIM KITSURAGI: I dont know. He makes a note in his notebook.
KIM KITSURAGI: I dont know. The further we get, the more this building seems to be tied to the case
SHIVERS: A dull thump. Somewhere inside a wind brace rattles from the imperceptible motion of the building.
ARIST: [Easy: Success] You know that attempting to force open this door will only result in you hurting yourself.
ARIST: [Challenging: Success] Confront the wig man again. Force him to reveal his secrets.
MAN WITH SUNGLASSES: Oh, I definitely know you from *somewhere*.
MAN WITH SUNGLASSES: Yes. From another life. A different life. Maybe the life of a police officer belonging to the ranks of the He pauses.
MAN WITH SUNGLASSES: Okay, okay! The man sounds genuinely excited. Thats plausible. Thats entirely plausible. Now were really getting somewhere
MAN WITH SUNGLASSES: Im sure hes fucking *flattered*, but *Kim* is not part of this thought experiment. In this one*were* partners.
KIM KITSURAGI: Im not your partner. He says quickly. This this union is temporary.
ARIST: [Medium: Success] Betrayed! By the one person we trusted above all others! Whatever, you forgive him. Hes probably just embarrassed because were clearly best buds.
MAN WITH SUNGLASSES: A little premonition for you, lieutenant. He turns to Kim. Sooner or laterprobably sooneryour new friend tells you he doesnt need you. He will then suggest you should *fuck off*. When that happens I suggest you take his advice, he adds bitterly.
ARIST: [Heroic: Failure] You truly have no idea what this assholes problem is.
MAN WITH SUNGLASSES: Oh no, NO, NO! You see, I enjoy watching other, better cops solve crimesand let me tell you, its been quite a privilege seeing you work
MAN WITH SUNGLASSES: Youre not going to believe this, but The man pauses for dramatic effect. police officers! Yes sir, solving crimes, locking up bad guys and *AND* get this and *not* getting their drink on at two oclock.
MAN WITH SUNGLASSES: Not even a little bit.
KIM KITSURAGI: Its an urban myth, the lieutenant says quietly. About an officer who is so far undercover he cant remember who he is. As I saidjust an urban myth. *Youre* not the Son of Lung.
MAN WITH SUNGLASSES: Neither can I, partner. Neither can I His grey eyes suddenly flash above the glass frames. They feel sad.
MAN WITH SUNGLASSES: God fucking shit He pinches the root of his nose.
EMPATHY: [Medium: Success] None of this is great news for him.
ARIST: [Legendary: Failure] What a weirdo. Good thing you dont know him!
ARIST: Well, that escalated.
SUGGESTION: [Medium: Success] Youve hit a nerve. Titus is furiousno, more than thatthe loyal Titus feels *betrayed*.
ELIZABETH: For the record she steps in, forcefully. Titus Hardie did not explicitly specify the *victim* as a whore. Nor did he say anything about trusting her.
ARIST: Fucking lawyers.
TITUS HARDIE: Oh, shut up and stay out of this, Liz! He turns back to you. He raped her. He was out of his fucking mind. You have no idea!
ALAIN: Shes just in denial, asshole. You dont understand the *traumatic experience*. Shes shutting down. And she doesnt fucking trust you.
SHANKY: Yes, shes crazy, you know, The rat-faced man says carefully. A crazy bitchyou know the type. Shes fucked up.
TITUS HARDIE: Lawman he says through clenched teeth. I am at the end of my *goddamn* rope with you. I fucking told you not to push her! And you went and pushed her. Something breaks in him. He takes a step closer and says: I am going to fucking
REACTION SPEED: [Easy: Success] hit youduck!
ELIZABETH: TITUS HARDIE! Her voice rings through the room like a warning shot.
AUTHORITY: [Medium: Success] Success. Titus backs off. Fists down, everybody.
ELIZABETH: Evrart *personally* sent me to take care of this. If this goes south well all be in the shitbut you, Titus Hardie, are going to be buried. Am I understood?
RHETORIC: [Medium: Success] When shes angry, she emphasizes the *s*. It gives her voice a strangely hypnotic quality. Her lips barely move as she speaks.
INLAND EMPIRE: [Medium: Success] Frankly its a bit terrifying.
SUGGESTION: [Easy: Success] Someone has to rush in to break the tension. The second in command.
ALAIN: Look, copper. The tattooed man snaps his fingers to get your attention. We know the dead fuck was a rapist and a killer. We got him confessing to it on tape. Show it to him, T. He turns to Titus, whos still breathing heavily. Whats the harm, right?
TITUS HARDIE: Here, jerkwad! He slams an audiotape on the table. Listen to this shit, and then come back and tell me the *Soldier of the Apocalypse* was an innocent man.
TITUS HARDIE: You dont care about *evidence*? His eye twitches. The fuck are you a cop for then?
ALAIN: Pigs, Tthey dont care about getting the truth, they care about getting convictions. Theyre fucking keeping score on their bulletin boards.
TITUS HARDIE: I wont be on your bulletin board. If you dont listen to the tape we got *nothing* to talk about.
TITUS HARDIE: We have machines. He nods. Were in logisticshow do you think a harbour works? Its advanced stuff.
KIM KITSURAGI: Understoodyouve listened in on their communications. He takes a little note. How long?
TITUS HARDIE: Since way before their chief started taking swing lessons.
FAT ANGUS: Its not advanced, the heavy man wheezes. Youre just holed up in a coop all day, writing down what they say. It gets hot as hell in there.
TITUS HARDIE: Dont put yourself down, Angus. Its important work. The chief picks his beer back upto offer a silent toast.
KIM KITSURAGI: Im sure we can find a tape player, the lieutenant whispers.
SHANKY: Where can I listen to this? he mocks you. Why dont you try shoving it up your ass, genius?!
GLEN: Yeah, play it with your ass, COCKSUCKER! His voice echoes like thunder in the small room.
KIM KITSURAGI: Im sure we can find a tape player. Its not a problem, he repeats calmly in a hushed voice.
ARIST: You examine the mysterious Doorgunner Megamix.
ARIST: You make your way upstairs with Kim to your destroyed hotel room.
INTERFACING: [Medium: Success] There is no fixing this one.
ARIST: [Challenging: Success] Truthfully, you saw this coming.
ARIST: [Challenging: Success] You make to leave the Whirling, but something pulls at your attention. Youre still intrigued by the window behind the Hardie boys, the one thing you havent been able to properly inspect since you got here.
ARIST: Something just tells you to inspect it again, checking for something at the very limits of your senses. You stare hard, but not too hard. Its like one of those magic eye puzzles.
LOGIC: [Medium: Success] Someone hid the key in the bush and attached a yellow ribbon to make it easier to find.
SHANKY: And *I* need the fatty to get his feet amputated cause the smell is killing mewe cant always get what we want.
FAT ANGUS: Goddammit, Dennis. You know I cant help it! His whiny voice is in deep contrast with his stature.
ARIST: [Medium: Success] Shankys name is Dennis? Remember this! Weaponize it against him in the future!
GLEN: Sorry, Fucko! These *guys* wont help you. Looks like youre gonna have to go bush-diving. The hawthorns got a bitch of a bite!
SHANKY: Im gonna enjoy the sight of you in the bushes out there
GLEN: Cmon, man. We were just having some fun! Wheres the harm in ?
TITUS HARDIE: Didnt even know it was there The man looks at the key in your handthen around in the room. Boys?
ALAIN: No idea.
KIM KITSURAGI: It *could* open the door in the kitchenthe blue door. He looks at the key in your hand. It says Workshop Sparemaybe theres a workshop there?
ARIST: Go check out that door, then.
INLAND EMPIRE: [Medium: Success] Dust rises before you like mist. A tomb? Haunted by regal spirits from distant ages
ARIST: Wait, what? Pinball?
KIM KITSURAGI: Some kind of He looks around, thinking. Inane pinball themeprobably related to Messina during the Dolorian age. The *history themes* are the worst.
KIM KITSURAGI: No, I love itI love pinball. Who doesnt love pinball? Lets move on.
KIM KITSURAGI: You cant *fire* them up, theyre broken. Only that one machine in the main hall works. The Royalist Pinball. He looks away.
ARIST: [Legendary: Failure] Oh no! Forced to do racism!
KIM KITSURAGI: Us *guys*?
KIM KITSURAGI: Okay. He thinks for a moment. I dont like pinball because I had to learn to do it for an undercover job at a pinball ring. And its a lame, boring and unchallenging gamethere. We can move on now.
ARIST: Looks like you already found the key this refers to. Also, grab that sweet pinball money.
ELEVATOR: Smells of nougat and sweat. Your head brushes up against the ceiling. There is a control panel to your rightand just enough room for two people to fit in.
KIM KITSURAGI: Look on the bright side: if it fails, we will only sustain minor injuries. Im talking three, maybe four months in the hospital. Maximum five.
ARIST: [Godly: Failure] As you slowly ascend, your brain is filled with a hauntingly catchy tune out of nowhere:
You got the power! (Ha ha ha ha ha ha!)
You got the might! (No way!)
Get ready for battle! (Give me your money!)
Beat the Black Knight! (Ha ha ha ha ha ha!)
It means nothing to you.
ARIST: [Medium: Success] Ooh, a snazzy pinball coat!
KIM KITSURAGI: Looks like it. Im guessing Martinaise North 22 used to be a pinball arcade before it became a hostel. There are machines left over He taps his foot.
PERCEPTION (HEARING): [Medium: Success] A creak, some dust falls off a shelf.
KIM KITSURAGI: Downstairs in the hallnext to the main door. One of them even works. Ive seen one of the Hardies bang away at it.
KIM KITSURAGI: Ah yesas the novelty dicemaker said. He makes a note in his notebook. This has absolutely nothing to do with the case, Im sure. But I do like a nice little *connection*.
KIM KITSURAGI: If thats true then our *cafeteria manager* is not going to like it. He looks around. We should tell him what we found up here*omitting* that suspicion.
LOGIC: [Medium: Success] Stupid superstition. But stillit would be *interesting* to see what the cafeteria manager thinks of this
KIM KITSURAGI: Three weeks maximumfrom the dust coverage. It could easily have been *one* week too. You know, officer He looks at you.
EMPATHY: [Medium: Success] This is good. He likes it. Thats a little smile therein the dark of the workshop.
FOOTPRINTS IN THE DUST: Large prints, most likely made by boots. The size is hard to determine (sole could be bigger than vamp). The soles have left a patternuniform, horizontal lines.
ARIST: [Challenging: Success] This feeling its like the tangle of the world straightened out just a bit, allowing you to discern the knotted threads youre working to unravel. You could have crossed the Whirling dozens of times and never found this without noticing that key. Thats luck, yes, but also just good instincts. Youre proud of yourself, and you deserve it.
ARIST: [Medium: Success] Wait are you next to Klaasjes bedroom? You suppose that would make sense given the geography of this place, but still
KIM KITSURAGI: He leans closer to inspect the peephole. You can barely see through. Better not to jump to *sensationalist* conclusions here.
KIM KITSURAGI: Unless weve veered off into a folded M dimension, Im expecting to step out on the roofwe could ask Klaasje about this route, see how she reacts?
ARIST: [Trivial: Success] Klaasje seems rather unsurprised that you just emerged from the mysterious doorway right in front of her.
KLAASJE (MISS ORANJE DISCO DANCER): I did not. She takes a drag of her cigarette and smiles. Mystery solved then. I kept wondering where it led.
KLAASJE (MISS ORANJE DISCO DANCER): A peep hole? You mean a hole in the wall?
KIM KITSURAGI: Yes. Looking into your bedroom, miss. The lieutenant points to her window. The unmade bed is visible through the glass.
KLAASJE (MISS ORANJE DISCO DANCER): Okay Theres a pause as she processes this information.
EMPATHY: [Easy: Success] A jitter of fear and disgust moves through her body, beginning from her shoulders and ending in her hips. The cigarette tastes foul to her now.
KLAASJE (MISS ORANJE DISCO DANCER): Okay do you have any way of knowing how *long* it has been there?
KLAASJE (MISS ORANJE DISCO DANCER): Shit I dont know. Maybe its been there for a long time. Maybe the local kids use it or something. I dont know
KLAASJE (MISS ORANJE DISCO DANCER): Huh. This isnt good.
KLAASJE (MISS ORANJE DISCO DANCER): Mhm She flicks the ash from her cigarette absent-mindedly.
KLAASJE (MISS ORANJE DISCO DANCER): It sounds like the boys would have preferred my saying it *did* happen. A sigh. I didnt want to get caught up in this
EMPATHY: [Medium: Success] She is not at all worried the tape will contradict her statement.
KLAASJE (MISS ORANJE DISCO DANCER): What does that recording say?
KIM KITSURAGI: We are in the process of listening to it. But haventyet.
ARIST: [Medium: Success] You decide to tell Garte about your discoveries next. And also about the Doomed Commercial Area, because hes kind of a prick.
ARIST: [Easy: Success] You decide not to snitch on Klaasje nicking the phone line. It was for a good cause, after all.
GARTE, THE CAFETERIA MANAGER: Oh? Okay. Well. He controls his excitement well. I did hear you make noise back there. Sogood for you.
COMPOSURE: [Medium: Success] Hes really, really holding himself back here.
GARTE, THE CAFETERIA MANAGER: Hah! I knew it. Ive always wondered where those machines by the door came from*and* they told me there was some kind of pinball thing here too
GARTE, THE CAFETERIA MANAGER: No, I was just wondering. He appears to be making a calculation in his head. If you found pinball machines there
GARTE, THE CAFETERIA MANAGER: Capitalist *plot*. He rolls his eyes. The pinball we have in the corner now is brokenI want to diversify the entertainment options.
LOGIC: [Medium: Success] Yeah, those numbers hes adding up must be making good sense to him right now.
SUGGESTION: [Easy: Success] Sounds like he cares about the place. Hes not going to be overjoyed to hear that its part of the Doomed Commercial Area.
GARTE, THE CAFETERIA MANAGER: Ill have it fixed at once. Thank you for letting me know. I assure youthe Whirling does *not* abide spying on its guests.
GARTE, THE CAFETERIA MANAGER: Absolutely not. He breathes in and out. Fuck you for even implying it. It wasnt me, it wasnt my staff. The establishment will look at is and ascertain what it was.
DRAMA: [Medium: Success] Well, hes definitely not lyinghe wouldnt endanger this business like that.
ARIST: [Easy: Success] Do it. Destroy his hopes and dreams.
GARTE, THE CAFETERIA MANAGER: What? He looks mildly startled. Why would you say that? Were at a *completely* different address from that whole thing.
GARTE, THE CAFETERIA MANAGER: Does this *look* like part of a *Doomed* Commercial Area? He makes a sweeping gesture. This pre-revolutionary tile work? These high ceilings? The nice rooms? Well, *most* of the rooms For 14 years, manthats how long Ive worked here. Ive kept this place up through hail and through sleet. Fuck me, if some Doom Ghost he steadies his voice.
ARIST: [Medium: Success] Well, now you just kind of feel bad. Sheesh.
GARTE, THE CAFETERIA MANAGER: Yeah. He sighs. Its *slowly* growing on me again. Its beautiful, in its own wayespecially for this neighbourhood. Ive been trying to keep it that way
GARTE, THE CAFETERIA MANAGER: Well, it sure as hell wasnt the real estate company.
KIM KITSURAGI: It was you?
GARTE, THE CAFETERIA MANAGER: *Hail Holy Queen* by The Etenniers. Hail holy queen of the sea, he quotes. Youre whirling in ragsyoure vast and youre sad.
GARTE, THE CAFETERIA MANAGER: What about them? He shrugs. One is a basement dive frequented by chain-smoking communists. I cant *tell* you how sick I am of Kras Mazov and Ignus Nilsen and all those old ghosts
GARTE, THE CAFETERIA MANAGER: Luck has got nothing to do with it. He looks to where the hidden room is. I need to think about where Im gonna place those pinballsI have a feeling theyre gonna help.
RHETORIC: [Medium: Success] Against the Doom, its implied.
After leaving Garte to his capitalism, we decide to put another point into Empathy.
ARIST: You decide to check in on Alices research once more.
ARIST: [Legendary: Failure] Dammit!
ARIST: While you're out and about, though, you do have some things we can ask René.
RENÉ ARNOUX: Its a *Belle-Margrave*, he says, taking the rifle. 4.46 calibre, breech-loading, Revachol-made. Good weapon, accurate and reliable.
RENÉ ARNOUX: Im not surprised. He looks at the building. There are probably lots of forgotten war-time weapons lying around here. Back in the day everyone had *something* stashed away.
RENÉ ARNOUX: You know what He falls silent and the emerging smile withdraws. No. They brought me misery, false-hope and disappointment. The *revolutionaries* sullied them.
SUGGESTION: [Medium: Success] You stirred up some bad memories there.
GASTON MARTIN: But it wasnt the revolutionaries that *sullied* the idea for you, was it? He looks at the old soldier almost gently. She gave them to me too and your jealous little heart just couldnt accept it.
RENÉ ARNOUX: Enough, he cuts in sharply. I can go over these matters *in detail* with you, Gaston, but not while we have company. So officers ?
KIM KITSURAGI: May bells dont blossom yet, do they? the lieutenant quickly asks.
RENÉ ARNOUX: Yes, the Débardeurs Union pays me to stand vigil during the nights. He looks down. Not out of any *political* allegiance, mind you. Im an old man, dont sleep more than a few hours every night anyway and money is tight, he adds with a slight sigh.
RENÉ ARNOUX: Its a private matter, he says with dignity. Nothing to do with your investigation.
GASTON MARTIN: You see, officer, René is the kind of man whod rather die than admit he needs medical assistance orgod forbidseek it. A real mans man. Hes just gonna *ride it out*.
RENÉ ARNOUX: No one. The booth has been unmanned since last Monday. He looks suddenly very old and tired. Theres no other guard. Its just me.
KIM KITSURAGI: No one has been guarding the container yard since last Monday?
RENÉ ARNOUX: Yes. He nods, before hesitantly continuing. Its its not actually an issue. I mean
RENÉ ARNOUX: The *possibility* of someone being in there is enough to discourage any ill-minded individuals he tries to argue.
ARIST: [Easy: Success] Youre unable to stop yourself from pitying this sad old man, just for a moment.
RENÉ ARNOUX: Ah, yes, King Filippe III on his steeda reminder of what Revachol once was
GASTON MARTIN: Oh absolutely He smiles as if reliving a pleasant memory. At the mercy of a cocaine-snorting tyrant who emptied the treasury so he could sleep on a bed of gold?
RENÉ ARNOUX: A nation is only as strong *as* its leader. Thats why it was such madness to try to
GASTON MARTIN: Dont get started on that again. What happened, happened. There is some weariness in his voice nowhes heard this rant many times before.
RENÉ ARNOUX: The carabineer doesnt reply, but his entire being communicates unbreakable resolve.
GASTON MARTIN: Oh, old Filippe was a *big* fan of the purple nose candy the nobility loved so much. A cocaine-connoisseur of sorts. He chuckles. His egocentricity is borderline legendary.
RENÉ ARNOUX: You cant even take responsibility for yourselfhow could you fathom the responsibility weighing on the shoulders of a ruler? he asks, obviously annoyed. Thats why the Filippian kings used cocainefor clarity of vision, to aid in their work Regnum CocainumRevachols finest years. He seems to grow taller, brimming with pride about the past.
KIM KITSURAGI: Of course, the lieutenant marks dryly. Clarity of vision. *Awareness*.
RENÉ ARNOUX: Filippe III was even brought into this world with the help of cocainethe court medic administered a dose to his mother when she was in labour. And it is well known that with the help of cocaineonly the purest, of coursehe was able to connect with higher realms.
ARIST: [Formidable: Fail-cess]Hmm, this cocaine stuff sounds pretty all rigwait, no, were not doing this
INLAND EMPIRE: [Medium: Success] Higher realms? Of courseit all makes sense
GASTON MARTIN: Its really not. He turns to René. Please do spare us the cocaine fairy tales.
ARIST: You realize you still havent really spoken with Gaston, so you do that next.
RENÉ ARNOUX: Yes, thats what you need Gaston. More padding on that fat ass of yours. I hope your heart gives out.
GASTON MARTIN: René, tsk-tsk. Its the little pleasures. Life doesnt need to be a *mnjam mnjam* a struggle.
RENÉ ARNOUX: Oh? The goal is to throw your *boule* He holds out the orb. as close to the *cochonnet* as you can.
RENÉ ARNOUX: Well first you draw a circle about half a metre in diameter. We made ours out of rope, he explains. Then the order of play is determined by a coin toss. You win ityou get to throw the *cochonnet*.
GASTON MARTIN: Youll put that knowledge to good use in twenty I mean fifty years. Im sure of that officer.
ARIST: [Challenging: Success] It wont be about pétanque. Itll be about something much dumber.
GASTON MARTIN: Im sorry, officer, but I really dont share food, he says and quickly adds: Nothing personal, its just a principle.
RENÉ ARNOUX: The only one you have.
PERCEPTION (SIGHT): [Medium: Success] The sandwich looks like a culinary wonder, well made and abundant in components. The author sure knew their craft.
ARIST: Next, you decide to head into the bookstore to tell Plaisance about the Doomed Commercial Area.
PLAISANCE: Yes, yes? How was it?
PLAISANCE: I knew it! A tremor runs through her. Oh, such horrors that have been thrust upon us She shakes her head.
PLAISANCE: She looks perplexed. I dont understand. If its not her, then where *is* the source of the Doom? How did she explain the *curse*?
LOGIC: [Medium: Success] The narrative shes built herselfit does need tearing down.
COMPOSURE: [Medium: Success] Shes squeezing on the pendant too tight. A drop of blood in her palm
SUGGESTION: [Easy: Success] Just dont say you dont have *any* answer yet. The uncertainty is killing her.
DRAMA: [Easy: Success] To hell with itperchance you ought to just lie, sire?
ARIST: [Medium: Success] You *could* just tell her the truthcapitalism sucksbut that doesnt seem like itd satisfy her. Besides, youve come this far spewing bullshit, so why stop now?
PLAISANCE: A *third order* presence, yes She lets go of the pendant.
EMPATHY: [Medium: Success] A great, dark relief washes over her.
PLAISANCE: Ive heard of these *tri-actors*. In certain occult literature thats too dark to dwell on for too longand definitely not in the presence of my daughter. She gestures for you to be silent.
KIM KITSURAGI: Well, this has been absolutely *educational*. If we happen on the *Third Presence* in our travels we will certainly come back to tell you.
INLAND EMPIRE: [Medium: Success] Yes, the venture continues. In other waters. Darker waters.
We put another point into Encyclopedia.
ARIST: [Legendary: Failure] Fuck. Despite the best efforts of your hat, it looks like youll never find out just who Dick Mullen truly is.
SHELF OF PARANORMAL BOOKS: Amidst the various books you find one written by someone named Matthias W. Dundad. Its about Wholeness, Unity, Balance.
RHETORIC: [Medium: Success] These three things are very important to the working-class mind.
SHELF OF PARANORMAL BOOKS: It serves platitudes, while also telling everyone that traditional medicine (the kind people dont have access to, and which costs more than this book) is garbage, and would only give you cancer anyway, without even curing your cold or anything. Wholeness, Unity, Balance on the other hand, can basically take care of anything. Though it is important to note
SHELF OF PARANORMAL BOOKS: The book features chapters on topics such as: how to find magnesium (it even lists plants you can harvest magnesium from); how to continue drinking if youre an alcoholic who has destroyed his liver; and theres even a chapter on the ancient Seraiese tradition of using duck gall bladder (preservatives) to treat and prevent sexually transmitted diseases. Pre- and post-factum apply. Nothing worth buying.
PLAISANCE: Hum sir, please, no browsing in that shelf. She narrows her eyes. That wisdom is not for free.
SHELF OF PARANORMAL BOOKS: The book contains descriptions of various pseudo-scientific therapies, alternative medicines, and folk remedies involving *the pale* also known as *le territoire*.
SHELF OF PARANORMAL BOOKS: Among other benefits, it is alleged to restore a damaged liver to perfect health.
SHELF OF PARANORMAL BOOKS: For general health and well-being, readers are encouraged to take regular strolls through the pale, though a sidebar cautions readers to limit each stroll to less than an hour These strolls promise to cleanse the mind of worries and the body of toxins, especially if the perambulator performs this ritual in the nude. (Nudity figures prominently in a number of these prescriptions.)
ARIST: As nice as the cost is, you decide not to buy it.
PLAISANCE: Wonderful board games, sir. The Viticulturist is a classic for sure, or perhaps youd like Archipelagos of Insulinde, a very educational game for those interested in geography. Raubritter is a fun game of economic competition, but can get quite intense after a while. We have games for the whole family. You can play with your children!
PLAISANCE: Dont be so hard on yourself, sir. You just need to clean up a bit. And technically, friends are a bit like family.
PLAISANCE: Lousy auras there! She shudders. No, *role playing games* are popular among those types you know, whore into those kinds of things. Personally, I dont like it. Not at all!
MOUNTAIN OF BOARD GAMES: An endless variety of sourcebooks, lorebooks, and codices littler the table. The top-most book is titled Welkin Compendium, Second Edition.
ARIST: [Legendary: Failure] MORE WELKINS!!!
MOUNTAIN OF BOARD GAMES: Theres a box that says: Wirrâl. Third Edition Mega-Setting Supplements Module. The side panel notes: A *fantastique* adventure board game. New maps and miniatures! A sticker on it displays25 reál.
ARIST: [Godly: Failure] Dont spend all your money on that. Spend half of it on Suzerainty!
ARIST: [Heroic: Failure] Oooooh, Genocide!